Querer-se morrer confortavelmente na dor is a performance by Filipa Matta and Óscar Silva, created in the context of the multidisciplinary project ‘Rastro, Margem, Clarão’, which involves creators in the performing arts, visual arts and theoretical essay around the universe of Rui Nunes’ writing.

He – She’s at home, full of another world than this one. She’s dirty. She’s never stopped looking at me. She is and carries a feverish energy. He disgusts me.
She – He’s everything I invent. He comes from a time dragged out like a dead goat. What’s in him is rotten. Death prolongs it cruelly. In other words, I only invent him. A decomposing body that contaminates me. I’m disgusted.

creation and interpretation Filipa Matta and Óscar Silva ‧ light design and operation Pedro Fonseca ‧ set design Filipa Matta, Óscar Silva, Pedro Fonseca ‧ set construction Colectivo, ac ‧ text Filipa Matta and Óscar Silva, from the writing of Rui Nunes ‧ communication design Cátia Santos ‧ stage video Tiago Moura ‧ stage photography Tiago Moura, Valter Vinagre ‧ executive production Bruno Esteves ‧ production Terceira Pessoa - Associação ‧ funding Direção-Geral das Artes / República Portuguesa – Cultura, Cine-Teatro Avenida Castelo Branco ‧ residencies Fábrica da Criatividade Castelo Branco, Devir/CaPA Centro de Artes Performativas do Algarve, O Espaço Do Tempo ‧ thanks Teatro Artimanha, Funceramics, Olaria Nova de Setúbal ‧

datasdates

September 4 and 5 ‧ mala voadora