Raw material: creation of (objective) conditions for new relationships between thought and movement, generating behaviours that deviate from the norm and consequently new languages (for subjective reading).
Processing: Integration and application of raw material in aesthetic contexts/universes that propose a more or less subtle contradiction/friction between context and raw material, creating a precarious balance between the sayable and the unsayable.
Final product: the organic formation of performative enigmas that provoke the spectator to activate their speculative mind, forcing them to resort to their own existential heritage for a potential resolution that fortunately doesn’t exist.